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Zarifeh, Noelle (2018) Le chant de la suhlapa assyro-chaldéenne. Enregistrement, transcription et analyse des intonations de tradition orale. [Ph.D. thesis]

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Abstract (english)

This study aimed to do an analysis of traditional assyrian-chaldean sequences from the directory of the liturgy services of this tradition, and to bring out the modal systematic.
Before suggesting it, there was a limited historical approach of the assyrian-chaldean origin and a brief reminder of the main axes of this church's liturgy, and its most important schools. A three-steps-transcription of the sequences was suggested - as performed by Monsignor ’Afrām B(e)di- that's: etic, coded emic and coded modeled score. Then the musical analysis with the intonation formulas, the cadences, and a degrees' count that helped finding out the scale with the help of a software called PRAAT.
At the end, a synthetic outline of the directory's modal typology was proposed. It turned out the melodies’ subjugation to the common norms of the Near and Middle-East, particularly the predominance of the zalzalian gender (that divides the exact fourth into two neutral seconds and a major one) and the organization of the modal topography in tetra-cords.

Abstract (italian)

Ce mémoire a pour propos l'analyse des pièces du répertoire des offices liturgiques de la tradition assyro-chaldéenne, dans la perspective d'en dégager la systématique modale. En préalable à cette analyse, une approche historique et liturgique est proposée.
Une transcription musicale des "šūh̩lāpe", selon l'interprétation de Monseigneur ’Afrām B(e)di est ensuite effectuée en trois étapes : étique, émique codée et une partition modélisée codée. Les séquences transcrites sont assujetties à une analyse acoustique permettant d'en décrire la structure intervallique. Les contours mélodiques dégagés de l'analyse modélisatrice permettent de décrire la systématique modale propre à chaque mélodie type.
En fin de parcours, une esquisse synthétique de la typologie modale du répertoire étudié est proposée. Elle met en exergue l'assujettissement de ces mélodies aux normes communes des traditions du Proche et Moyen-Orient, notamment la prééminence du genre zalzalien (divisant la quarte juste en deux secondes neutres et une seconde majeure) et l'organisation de la topographie modale en tétracordes.

EPrint type:Ph.D. thesis
Tutor:Lovato, Antonio
Ph.D. course:Ciclo 29 > Corsi 29 > STORIA, CRITICA E CONSERVAZIONE DEI BENI CULTURALI
Data di deposito della tesi:31 January 2018
Anno di Pubblicazione:31 January 2018
Key Words:Canto; Chiesa Assiro-Caldea; etnomusicologia;
Settori scientifico-disciplinari MIUR:Area 10 - Scienze dell'antichità, filologico-letterarie e storico-artistiche > L-ART/07 Musicologia e storia della musica
Struttura di riferimento:Dipartimenti > Dipartimento di Beni Culturali: archeologia, storia dell'arte, del cinema e della musica
Codice ID:11104
Depositato il:25 Oct 2018 15:39
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